Monthly Archives: March 2014

Dance Loops, Open Beta @ SoTE

Dance and Code

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After learning a little more about what to do and what NOT to do with your first rendition of Dance Loops (i.e., the “alpha release” @ UCUR), we had a chance to do a few things over for our “open beta” (AKA the “nearly there” version). This time, we were at the Scholarship of Teaching and Engagement Conference (SoTE) at my home school, Utah Valley University, in Orem, Utah. Superstar UVU dancer Hannah Braegger McKeachnie reprised her role from Dance Loops and performed the first section, to the music of Julia Kent (with an edited version of “Gardermoen”). We still performed in a sub-optimal environment – a partitioned meeting room, in this case – and we still have abominable video but, otherwise, things went beautifully. We also got to meet some wondeful people from other schools who were interested in the piece and…

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Dance Loops Accepted at ISEA2014!

Dance and Code

ISEA2014

Wonder of Wonder, Miracle of Miracles! Dance Loops was accepted for ISEA2014! That is, the 20th International Symposium on Electronic Art, which meets in Dubai in November of 2014. (I wrote about this application in an earlier post.)

In fact, it was accepted THREE TIMES. The first was the faculty piece, which we are calling “Debauched Kinesthesia: The Proprioceptive Remix.” As I mentioned before, “debauched kinesthesia” has nothing to do with debauchery. Rather, it’s a term from the Alexander Technique, which my wife Jacque Bell teaches, that refers to the disconnect that many people have between what they think their body is doing and what it actually is doing. And “proprioceptive” because that refers to the sense of where your own body is and what it’s doing, and “remix” because the dancers will be able to rearrange and replay videos of their own dancing while…

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